With the presence of the screenwriter Florence Rochat
Hamid is a member of a secret organization that tracks down Syrian war criminals hiding in Europe. His search takes him to Strasbourg, following the trail of his former torturer.
How can cinema narrate the trauma and inner wounds of refugees? How can we explain the obligation to lie that many of them need to survive? Jonathan Millet draws a film in which the desire to find intensity prevails from the evocation of an off-screen person who is looking for a space to exist. The testimonies and sounds serve to accompany the viewer in the search for their own images.
This film has been conceived so that its sequences can function from silence, from the gesture and the look that summon everything that is not said. Hamid’s doubts exist from the echoes of this sound journey that the film entails. We believe that his images will open doors within you and that they will accompany you long after you have attended this session.
